Showing posts with label beyonce. Show all posts
Showing posts with label beyonce. Show all posts

Saturday, February 28, 2009

I'm only a week late with this...

Alright, let’s talk about the Oscars. This is the first time I’ve watched the entire ceremony in years (or really, ever) so I might as well blog about it.



Obviously, I loved Hugh Jackman. He’s kind of the only reason I watched. I hate that I’m that easy. Luckily, Hugh is more than just a handsome face. He was a charming host, indeed, and I liked the two musical numbers. The musical tribute to Musicals was a smidge under-rehearsed, but I’m always up for a dose of Beyonce, lip-syncing and nipple-slips and all. I LOVED the new format – it made the three-hour program seem to go by much faster. Some people are dogging the way they passed out the acting achievement awards (5 former winners gave a little speech to each nominee), but I thought it was fantastic. It gave each nominee due credit and also gave the award itself a sense of gravitas and distinction. Sometimes the other nominees get ignored, especially if there’s a clear favorite. For example, we all knew Heath Ledger would win for Best Supporting Actor (if he hadn’t, I think the Kodak Theatre would have spontaneously combusted), but I was glad that the other nominees, who didn’t have a prayer, got their asses kissed appropriately before losing.

I wasn’t invested in the awards themselves because I haven’t seen any of the movies, with the exception of The Dark Knight, so I have no comment or argument with how it all turned out. However, I did enjoy watching Sean Penn and Dustin Lance Black shame the gay-haters out there – that’s always fun. And I bought the Slumdog Millionare soundtrack less than five minutes after the ceremony ended, because GOD… I love Bollywood. For your info, if you see me anytime in the next few weeks, there’s a good chance I’ll scream Jai Ho in your face, that’s how much I love that song.

Enough about the awards and junk, let’s talk about the gowns! (after the jump)…

‘Twas a good year for Oscar fashions, my friends. Lots to see and lots to talk about. Unfortunately, though, there weren’t many epic fails to speak of. The world suffered a great loss when Cher stopped attending the Oscars. A great loss, indeed.

The Best:

Anne Hathway in Armani Prive


Anne Hathaway is definitely the winner this year. I love this gown. It’s everything an Oscar gown should be: glamorous, sparkly, and very fitted. I love how the beading swirls around her curves.

Kate Winslet in Atelier Yves Saint Laurent


Kate Winslet was resplendent in this grayish-bluish Yves Saint Laurent gown. I like the asymmetry and the lace. However, I think I would like it more without the asymmetry – strapless or with both straps – because sometimes it is better to just PICK ONE.

Amy Adams in Carolina Herrera


Amy Adams was one of the few actresses in red, and she stood out in a good way. I’m not keen on the swath of fabric pinned to her sternum because I feel like it hides what could have been a very eye-catching bodice. In fact, it almost looks like it IS hiding something. Perhaps she is pregnant, or maybe she had a mishap at dinner. Anyway, the necklace is… random, but she definitely needed something up there to avoid looking boring.

Natalie Portman in Rodarte


The Nataport looked stunning. LOVE the color. And the detailing in front, with the beading and the pleating and the twisting, is interesting without being busy. I’m not sure why she chose to match her lip-stick with the dress, but that’s a small complaint.

Alicia Keys in Armani Prive


Alicia Keys had a good night. I love the color on her and the construction of the bodice is clever and different. Normally, I would balk at the idea of bunching up the fabric around one boob, but in this case it’s flattering and elegant. And the slit is a nice touch because it shows her legs, which brings it on home how great this color is with her skin tone.

Taraji P. Hensen in Robert Cavalli


Girlfriend is wearing the hell out of this Roberto Cavalli gown. It is beautifully made, for one thing, and it fits her like magic. The tiered fabric reminds me of Christian’s and Chris March’s dress from the avant garde challenge of Project Runway: Season 4, which is probably why I like it so much. I will say that the choice of white makes this dress come dangerously close to looking like they wrapped her in toilet paper.

The not great, not bad:

Sarah Jessica Parker in Dior


SJP showed up dressed like a horny ballerina. At least the huge tulle gown is balanced by her massive boobs leaping out of the top of her bodice. Seriously, even I was distracted. I like how Matthew Broderick disappears into the background of this photo – all eyes go straight to the globes. Anyway – it’s a pretty dress. The color is, apparently, barely mint, but it appears almost white in most of the photos I’ve seen. I don’t hate it at all, but it was a challenging dress to pull off, which she proved by almost tripping over it as she came on stage with Daniel Craig.

Miley Cyrus in Zuhair Murad


Mily Cyrus is getting a lot of flack for this dress, but I’m thinking that has more to do with her than the actual gown. I’m actually kind of fascinated; it calls to mind flowers, and the ocean, and Dutch tiles – all at the same time. The worst thing about it is that awful shell-looking thing on her belt. I don’t get that at all.

Angelina Jolie in Elie Saab


Angelina looked gorgeous, as usual, so no one can put her in the ‘worst’ pile. But I can call her out for wearing another boring black dress. What saves it for me are the green earrings. Great choice, for sure.

Heidi Klum in Roland Mouret


Heidi’s dress is interesting, indeed. I wish I could have been there so I could inspect the area for the safety wires and mirrors. How is this dress staying together? Normally, I don’t like dresses that make me think of origami, but I’ll admit that this is kind of neat.

Just bad:

Tilda Swinton in Lanvin


Tildes is one of the tiniest women in the world and yet she is wearing something that makes her look lumpy. Why? And the colors are so dull. I think I could come around to liking the top, if it wasn’t for that awful skirt.

Sophia Loren in Armani Prive


Sophia Loren’s gown has been around for awhile, showing up on several Red Carpets this season, with limited results. I don’t know if it’s the color, the color in conjunction with her skin, or what, but I think she looks like a giant, beached jellyfish. Those curly things on the bottom remind me of calamari, which doesn’t help.

Jessica Biel in Prada


Jessica Biel’s dress must be ill because it looks like it just threw up. Either that, or its sticking its tongue out at America.

Beyonce Knowles in House of Dereon


Beyonce is wearing a House of Dereon creation that can only be described as an abomination. First of all: that gold pattern looks like a couch made in Boca Raton (in 1978). The seaming widens her and makes her look three times as big as she is. The bottom is so heavy and full that it makes her head look freakishly small. And why is she standing like that? Don’t air out your pits on the Red Carpet!

Lisa Rinna in Gustavo Cadile


Who invited Medusa?

Since I’ve been turned to stone, I’ll stop there. What did ya’ll think? Did I leave anyone out – for good or fug?


Tuesday, December 02, 2008

All my viral ladies…

Now put your hands up!

I just knew Beyonce’s single, Single Ladies (Put a Ring On It), was going to be HEE-uge. And GOD I love it when I’m right.



A few short weeks after the video became available, the internet exploded with tributes and imitations, resulting in a frenzy of promotion that culminated in several fantastic live performances of the song on T.V. What Beyonce has figured out, along with Madonna, Lady Gaga, and P!nk, is that in order to actually sell records, the whole package has to be stellar – the very top of their game. Well, Beyonce has surely outdone herself with this single.

Great Song? Check.
Amazing Video? Check.
Brilliant live performances? Check.
Message that connects with her audience? Check.
All of the above perfectly packaged, mass-produced, and reasonably priced? Check, check, and check.

When I first saw the video, which may be my favorite video EVER!!, I remember thinking, “How is she going to recreate this in live performances?” I mean, I practically passed out afterwards, and I was just watching. How would Beyonce pull off singing and dancing this incredible routine?? The answer seems to be, by not singing and dancing. Well, more like, half singing and half dancing. I thought it would disappoint me, but after watching the SNL performance and her show-stopping turn on the American Music Awards, I think I’m totally OK with it.



My favorite part? Oh yes…



Don’t pull too hard, though, lest you pull out your weave, girl.

Beyonce’s ability to shine with this song in a live setting just confirms for me that this song will be a huge phenomenon. I got further proof today when I saw some of my co-worker’s playing around with the choreography in the break room. Get this: these co-workers are a 50 year old black woman, a thirty something white woman, and their assistants (two twenty something black girls). That white woman held her own, and it was obvious that the 50 year old woman not only knew the choreography, but had studied it in depth. For a moment, I didn’t feel weird about how many views I had logged on the video’s YouTube page. Clearly, I’m not the only one.

And yes, of course I joined them!

Indeed, this video/song/dance routine has struck a collective nerve across all ages and backgrounds. But no particular group loves it more than the gays on YouTube. They say imitation is the sincerest form of flattery, hence the literally hundreds of videos of gay men strutting their stuff on the internets. Among all of them, I think my favorite is this one…



Applause, applause, applause. ALTHOUGH do put some clothes on, sister, because your man might be hard-pressed to put a ring on it if it’s wrapped in tissue in a zip-loc bag on its way to the ER to be re-attached to a blackened nub. Just sayin’.

Friday, October 31, 2008

Reeva Dubois’s Depression Survival Kit: Part 1 – Pop Divas

I shouldn’t have to explain how or why I love Pop Divas. I’m gay so it’s kind of a given. I think it’s in the by-laws.

It’s been a huge year for my favorite female pop acts. Earlier in the year, we had new stuff from Britney, Madonna, Robyn, Kylie and Cyndi Lauper. Now, I have the pleasure of sifting through new stuff from Britney (prolific, isn’t she?), Lady Gaga, Michelle Williams, Jennifer Hudson, Christina, Pink, Keri Hilson… and (SQUEEEEE) Beyonce.

The new videos and singles have been shooting out of my computer like poison darts of pop pleasure, and I’ve been hard pressed to keep up. I’m tempted to do a massive video post (which I’ll probably do later), but now I just want to talk about Beyonce. Why? Because her new video for Single Ladies is, like… the best video I’ve ever seen.



This video is like crack for me. Seriously. I have to watch it once an hour or so. The first time I saw it, I was sitting at my computer with my eyes bugging out of my head, maybe with a little bit of drool coming out of my mouth, paralyzed by the FIERCE!

The Song
To be completely honest, the song barely registered with me at first; I was hypnotized by the amazing legs and Beyonce’s crazy metal glove. But I gotta say, this song is insanely catchy – it’s like Beyonce sneezed and then shook my hand. I didn’t know it was happening, but now I have the song totally memorized.

The Styling
The matching black leotards against the black, white and gray backgrounds are sharp and sleek. The hair piled on top and flowing down the back is simultaneously sexy and super-classy. The decision to film in black and white on a bare soundstage is genius; all the attention is on the choreography.

The Choreography
Shut up! I mean, just SHUT UP! Best choreography I’ve ever seen. There isn’t a single arbitrary step. Every movement reflects the words. Every series of movements reflects the music. There is inevitability to the motions, from the opening steps to the final pose. It’s all about the ring and what this crazy man is missing because he didn’t put it on Beyonce.

The Concept
Ok, so the idea of a Diva with two sexy hench-ladies isn’t new, but the amazing chemistry these three ladies have together quite literally blasts out of the screen. Not to mention all three are amazing dancers with killer bodies. I’ve already mentioned the legs, but I can’t emphasize it enough – those stems almost made me straight. Anyway, what I love about all of it is this: everything makes sense. Every creative choice, from the lighting, to the camera movements, to Beyonce’s one bare shoulder – it’s all flawless. This is a case of everything just working. Don’t you love it when that happens?

Now if you’ll excuse me, I need to go practice. I’m learning the choreography so I can show it off at the clubs. I’m pretty sure that’s in the by-laws, too.

Who am I kidding? I’m not even close to being done with this. Here are some of my favorite moments…